| Musicology
Australia Volume XXXI, 2009 |
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Page |
| Editorial |
Paul Watt |
vii |
| Articles |
Author |
Page |
The Local Impact of an International Celebrity: Fritz Kreisler in Australasia |
Anne-Marie Forbes |
1 |
From ‘The Undead Will Feast’ to ‘The Time to Kill is Now’: Frankfurt School and Freudian Perspectives on Death-Metal |
Kieran James |
17 |
Half-Way: Appreciating the Poetics of Northern Kimberley Song |
Sally Treloyn |
41 |
| Review Articles |
|
|
Post/Modernizing Australian Music |
Sally Macarthur |
63 |
Recent Studies in Scientific and Spiritual Understandings of Music |
Stephanie Rocke |
75 |
| Feature Article |
|
|
Music before the Nation, Music after nationalism |
Philip V. Bohlman |
79 |
Obituaries and Correspondence |
|
|
Obituary, Mauricio Kagel |
Maya Henderson |
101 |
Correspondence - Liane Curtis and Sally MacArthur |
109 |
| Musicology
Australia Volume XXX, 2008 |
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Page |
| Editorial |
Paul Watt |
ix |
| Correspondence |
Michael Kassler |
x |
| Articles |
Author |
Page |
| Wild Men and Mystics: Rethinking Roy Agnew’s Early Sydney Works |
Kate Bowan |
1 |
| Before Corroboree: Toward a Clearer Perspective of the Early Music of John Antill |
David Symons |
29 |
| Review Articles |
|
|
| Arnhem Land on the Agenda in Recent Texts on Australian Indigenous Music and Dance |
Peter Dunbar-Hall |
49 |
| Lives in Music: Recent Studies on Nineteenth-Century Organists |
Suzanne Cole |
53 |
| From the Republic of Slovenia: Slovenian Music History and Musicology |
Kathleen Nelson |
59 |
| ‘The words stink and the music is just pathetic’: The Making of a Popular National Anthem in New Zealand |
Allan Thomas |
64 |
| Historically Illuminating Performance |
Nicholas Routley |
70 |
| Reviews |
|
|
| The Company we Keep: An Intimate Celebration of Opera Australia, by Annarossa Berman and Bridget Elliot |
Michael Halliwell |
75 |
| Opera from the Greek: Studies in the Poetics of Appropriation, by Michael Ewans |
Micahel Ewins |
80 |
| Music Divided: Bartók’s Legacy in Cold War Culture, by Danielle Fosler-Lussier |
Malcolm Gillies |
86 |
| Music and Love: Music in the Lives of Italian Australians in Griffith, New South Wales, by Roland Bannister |
Paul Ashton |
90 |
| A History of Baroque Music, by George J. Buelow |
Kathleen Nelson |
92 |
| A Brief and Short Instruction of the Art of Musicke by Elway Bevin, edited by Denis Collins |
Michael Kassler |
94 |
| Thomas Roseingrave: Complete Keyboard Music, edited by H. Diack Johnstone and Richard Platt |
Rosalind Halton |
97 |
| Desperate Measures: The Life and Music of Antonia Padaoni Bember, by Claire Fontijn |
Lionel Sawkins |
100 |
| The Works of Henry Purcell, Volume 27: Symphony Songs, edited by Bruce Wood |
David Newsholme |
103 |
| Louis Grabu, Albion and Albanius, edited by Bryan White |
David Newsholme |
107 |
| Thomas Tallis and his Music in Victorian England, by Suzanne Cole |
Katherine Pardee |
111 |
| Malcolm Arnold—A Composer of Real Music: Symphonic Writing, Style and Aesthetics, by Raphael D. Thöne |
Rhoderick McNeill |
115 |
| Peter Sculthorpe: The Making of an Australian Composer, by Graeme Skinner |
Suzanne Robinson |
120 |
| Music and Theology: Essays in Honour of Robin A. Leaver, edited by Daniel Zager |
Stephanie Rocke |
126 |
| Composition, Chromaticism and the Development of Process: A New Theory of Tonality, by Henry Burnett and Roy Nitzberg |
Simon Perry |
131 |
| French Music since Berlioz, edited by Richard Langham Smith and Caroline Potter |
Clair Rowden |
135 |
| Berlioz and Debussy: Sources, Contexts and Legacies, Essays in Honour of François Lesure, edited by Barbara L. Kelly and Kerry Murphy |
Clair Rowden |
141 |
| Dance and Dancers in the Victorian and Edwardian Music Hall Ballet, by Alexandra Carter |
Paul Watt |
144 |
| The Resisting Muse: Popular Music and Social Protest, edited by Ian Peddie |
Michael Webb |
147 |
| Musicology
Australia Volume XXIX, 2007 |
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here to return to the top |
Page |
| Editorial |
Paul Watt |
vi |
| Articles |
Author |
Page |
| Homage to a ‘non-harmonic genius’: Glanville-Hicks on Cage |
Suzanne Robinson |
1 |
The Law of Three and the Law of Seven: Larry Sitsky’s Violin Concerto No. 2 (1983) and the Influence of Georges Gurdjieff
|
Patricia Shaw |
23 |
The Remarkable Story of Maria Hinkesman
|
Michael Kassler |
43 |
| The Instrument Without Music: The Reconstruction of Recorder Repertoire in England, c.1900–1939 |
Alexandra Williams |
69 |
| Artfully Hidden: Text and Rhythm in a Central Australian Aboriginal Song Series |
Myfany Turpin |
93 |
| Living the ‘Grand’ Context: Chants in Palauan History |
Birgit Abels |
109 |
| Resisting the Airport: Bang on a Can Performs Brian Eno |
Cecilia Sun |
135 |
| Review Articles |
|
|
| A Musical Woman in a Man’s World: Rebecca Clarke |
Sally Macarthur |
161 |
| Improvisatory Music and Contemporary Jazz in Australia |
Craig Scott |
167 |
| Reviews |
|
|
| Michel-Richard Delande ou Le Lully Latin, edited by Catherine Massip |
Lionel Sawkins |
173 |
| Psalmes, Sonets and Songs (1588), edited by Jeremy Smith & Songs of Sundries Natures (1589), edited by David Mateer |
Kathleen Nelson |
177 |
| The Gyffard Partbooks I. Early English Chutch Music 48, edited by David Mateer |
Bronwyn Ellis |
181 |
| El Cancionera de Uppsala, edited by Maricarmen Gómez Muntané |
John Griffiths |
187 |
| The Second Golden Age of the Viennese Symphony: Brahms, Bruckner, Dvorák, Mahler, and Selected Contemporaries, by A. Peter Brown |
John A. Phillips |
190 |
| The Songs of Karol Szymanowski and His Contemporaries, edited by Zofia Helman, Teresa Chylínska and Alexander Wightman |
Luke Howard |
194 |
| Intercultural Music: Creation and Interpretation, edited by Sally MacArthur , Bruce Crossman and Ronaldo Morelos |
Peter Dunbar-Hall |
199 |
| Obituaries and Tributes |
|
|
| Obituary, Noël Nickson |
Kieran Crichton |
203 |
| Obituary, Andrew D. McCredie |
Margaret Kartomi |
213 |
| Publications of Andrew McCredie |
Daniela Kaleva |
216 |
| Musicology
Australia Volume XXVIII,
2005-2006 |
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Page |
| Editorial |
|
vi |
| List
of Contributors |
|
vii |
| List
of Abstracts |
|
x |
| Articles |
Author |
Page |
| Marri
Ngarr Lirrga Songs: A Musicological Analysis of Song Pairs
in Performance |
Linda
Barwick |
1 |
| Marri
Ngarr Lirrga Songs: A Linguistic Analysis |
Lysbeth
Ford |
26 |
| The
Language of Kun-borrk in Western Arnhem Land |
Murray
Garde |
59 |
| Letters
of James H. George: A Union Musician during the American Civil War
|
Craig
de Wilde |
90 |
| Tales
From a Suitcase: Chopin's Early C-sharp Minor Nocturne |
Deborah
Crisp |
101 |
| Feature
Article |
|
|
| Music
and Social Being |
Ian
Cross |
114 |
| Review
Articles |
|
|
| The
Merits of Archival Research in Music: Reviews of The English Bach
Awakening and Musical Entries at Stationers' Hall 1710-1818 |
Dorottya
Fabian |
127 |
| Reviews |
|
131 |
| Notes
for Contributors |
|
182 |
| MSA
Membership |
|
185 |
| Musicology
Australia Volume XXVII, 2004-2005 |
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Page |
| Editorial |
|
vi |
| List
of Contributors |
|
vii |
| List
of Abstracts |
|
xi |
| Articles |
Author |
Page |
| 'This
Rare and Precious Music': Preliminary Findings on the Catalogue of
the Music Collection of the Dresden Catholic Court Church (1765) |
Janice
B. Stockigt |
1 |
| Margaret
Sutherland's Chiaroscuro 1: A Comparison of Autograph Sources
|
David
Lockett |
19 |
| Re-organization
and Rhetoric: Changes in the Social Organization of North Indian Classical
Music |
John
Napier |
35 |
| Modernist
versus Postmodernist Aesthetics: Contemporary Music Criticism and
the Case of Matthew Hindson |
David
Bennett, Linda Kouvaras |
54 |
| Productive
Disjunction and the Play of Rupture: Reading 'the Blanks' in Writing
to Vermeer |
Rowena
Braddock, Nicholas Routley |
73 |
| Feature
Article |
|
|
| New
Technology Requires New Collaborations: Changing Ourselves to Better
Shape the Future |
Anthony
Seeger |
94 |
| Review
Articles |
|
|
| Issues
at Stake beyond the 'insuperable melancholy longing for the unity
of interpretation with experience' |
Linda
Kouvaras |
112 |
| Unheard
Music: Recent Writings on Indonesian Music |
Peter
Dunbar-Hall |
123 |
| Out
of Africa: Recent Publications on African Music, Culture and the Politics
of Music Making |
Craig
de Wilde |
129 |
| Reviews |
|
133 |
| Notes
for Contributors |
|
166 |
| MSA
Membership |
|
169 |
| Musicology
Australia Volume XXVI, 2003 |
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| Editorial
|
|
vi |
| Articles |
Author |
Page |
| Agonising
Over Orthography: Aspects of Notation from Tristan to
Opus 11, Number 1 |
Simon Perry |
1 |
| The
Transmission of Zarlino’s Canonic Theory in Seventeenth-Century Organ
Choral Settings |
Denis Collins |
38 |
| Rethinking
Peggy Glanville-Hicks |
Victoria Rogers |
65 |
| Operatic
Tapestry: Threads from Black River to Going into Shadows |
Anne Power |
104 |
| Review
Article |
|
|
| Debates
About and Recent Effects of Globalisation on Music in Australia |
Margaret Kartomi |
120 |
| Reviews |
|
136 |
| Notes
for Contributors |
|
162 |
| MSA
Membership |
|
165 |
| Musicology
Australia Volume XXV, 2002 |
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Page |
| Editorial |
|
vi |
| SIMS
2004 Announcement |
|
vii |
| Articles |
Author |
Page |
|
How
are we to Write our Music History? Perspectives on the Historiography of Military Music |
Roland Bannister |
1 |
| Domenico
Scarlatti and his Cantabile Sonatas |
Rosalind Halton |
22 |
| Yawahr:
A Corroboree for Everybody |
Margaret Gummow |
48 |
|
Burr-Gi Wargugu ngu-Ninya
Rrawa:
Expressions of Ancestry and Country in Songs by the Letterstick Band
|
Aaron D.S.
Corn |
76 |
| Reviews |
|
102 |
| Notes
for Contributors |
|
130 |
| MSA
Membership |
|
133 |
| Musicology
Australia Volume XXIV, 2001 |
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Page |
| Editorial |
|
vi |
| Obituary,
David Galliver |
David Swale |
1 |
| Articles |
Author |
Page |
| Stéphane
Grappelli and the Hot Club Quintet: The Post-War Recordings |
Frank Murphy |
5 |
| The
Red Onion Jazz Band at the 1963 Australian Jazz Convention |
Timothy Stevens |
35 |
|
Ligeti’s
Études pour piano (premier livre): A Fusion of Tradition
and Experimentation |
Nicole Edwards |
62 |
| Reviews |
|
85 |
| Interregnum |
|
|
| The
Launch of Naomi Cumming’s The Sonic Self and the Naomi Helen Cumming
Foundation |
Malcolm Gillies |
107 |
| Features |
|
|
| Musicology
in the Marketplace: A Publisher’s Point of View |
Penny Souster |
113 |
| Notes
for Contributors |
|
118 |
| MSA
Membership |
|
121 |
| Musicology
Australia Volume XXIII, 2000 |
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Page |
| Editorial |
|
vi |
| Articles |
Author |
Page |
| Only
Connect |
Peter Platt |
3 |
| The
Nature of Nordicism: Grainger's 'blue-gold-rosy-race' and his Music |
Amanda Harris |
19 |
| Beethoven
and Melodrama |
Daniela Kaleva |
49 |
| Maintaining
Grandmothers' Law: Female Song Partners in Yanyuwa Culture |
Elizabeth Mackinlay |
76 |
| The
Nature of Patterning in Japanese Narrative Music: Formulaic Musical
Material in Heikyoku, Gidayu-bushi and Kiyomoto-bushi |
Alison
McQueen Tokita |
99 |
| Reviews |
|
123 |
| Features |
|
Page |
| Temp
Work: Music and the Cultural Shaping of Time |
Susan McClary |
160 |
Riding
the Rhythm: A Short Survey and Critique of Australian Popular Music
Studies
and its Relationship to Mainstream Australian Ehtno-Musicology |
Philip Hayward |
176 |
| Notes
for Contributors |
|
187 |
| MSA
Membership |
|
190 |
| Musicology
Australia Volume XXII, 1999 |
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Page |
| Editorial |
|
1 |
| Articles |
Author |
Page |
| Singapore,
a South-East Asian Haven: The Sephardi-Singaporean Liturgical Music
of its Jewish Community, 1841 to the Present |
Margaret J.
Kartomi |
3 |
| Musicology
and the Problem of 'Musical Ear' |
Jamie G. Kassler |
18 |
| Pamina,
Portraits, and the Feminine in Mozart and Schikaneder's Die Zauberflote |
Kate Bartel |
31 |
| Japanese
Collections of Traditional Japanese Musical Instruments: Presentation
and Representation |
Henry Johnson |
46 |
| Legrenzi's
Music for Compline (1662) |
David Swale |
63 |
| Reviews |
Reviewer |
Page |
| The
Cambridge Companion to the Piano edited by David Rowland |
Deborah Crisp |
72 |
| music
and feminisms edited by Sally Macarthur and Cate Poynton |
Eva Rieger Bremen |
73 |
The
Sephardic Experience: Thorns of Fire; Apples and Honey
The Renaissance Players directed by Winsome Evans |
Bronia Kornhauser |
74 |
| A
Musician at Court: An Autobiography of Franz Benda Translations,
Commentary, and Annotation by Douglas A. Lee |
Janice B. Sockigt |
76 |
| The
Conservatorium of Music, University of Melbourne.. A Historical Essay
to Mark its Centenary, 1895-1995 by Peter John Tregear |
Shirley Tembath |
77 |
| Percy
Grainger by David Bird |
David Pear |
78 |
| Feature |
|
|
| Crossing
Boundaries? The Relationship Between the Anglo-American and Austro-German
Worlds of Musicology |
Eva Rieger |
81 |
| Register
of Members' Publications |
|
89 |
| Register
of Australian undergraduate theses in music, 1998 |
|
91 |
| Register
of Australian postgraduate theses in music, 1995-1999 |
|
92 |
| The
Musicological Society of Australia |
|
105 |
| Guidelines
for contributors |
|
106 |
| Membership
Form |
|
107 |
| Notice
to Advertisers |
|
122 |
| Musicology
Australia Volume XXI, 1998 |
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Page |
| Editorial |
|
1 |
| Articles |
Author |
Page |
| Music
in Menzies-Era Melbourne |
Adrian Thomas |
3 |
| Claudio
Coello's Sagrada Forma and Music for the Ceremonial Relocations
of a Sacred Relic at El Escorial in 1684 and 1690 |
Michael Noone |
16 |
| Paper
Songs and Frozen Assets: Text and Traditions |
Richard M. Moyle |
28 |
| Liszt's
monument to Bach: the Variations on Weinen, Klagen, Sorgen, Zagen,
for Solo Piano |
Deborah Crisp |
37 |
| Szenen
in Zelenka's Vespers Psalm Settings |
Janice B. Stockigt |
50 |
| About
the Contributors |
|
59 |
| Reviews |
Reviewer |
Page |
| Haydn,
Mozart and the Viennese School 1740-1780 by Daniel Heartz |
Graham Hardie |
60 |
| Contemporary
Anthology of Music by Women edited by James R. Briscoe |
Sally MacArthur |
61 |
| Sonderstab
Musik: Music Confiscations by theEinsatzstab Reichsleiter Rosenberg
under the Nazi Occupation in Western Europe by Willem de Vries
|
Andrew D. McCredie |
63 |
| Dance
of Life: Popular Music and Politics in Southeast Asia by Craig
A. Lockard |
Peter Micic |
68 |
| Johannes
Brahms: Life and Letters Selected and annotated by Styra Avins
|
Margaret Notley |
69 |
| The
music of Raymond Hanson: A Catalogue Raisonné compiled by Graham
Hardie |
Helen O'Donoghue |
70 |
| Joan
Schenk (Johan Schenck), Tyd en Konst-Oeffeningen, Op. 2 for viola
da gamba & basso continuo facsimile with an introduction
by Piet Stryckers |
Michael O'Loghlin |
71 |
| Augusto
Kühnel, Sonate ô Partite ad una ô due Viole da Gamba, con il Basso
Continuo facsimile with an introduction by Piet Stryckers |
Michael O'Loghlin |
71 |
| Defining
Russia Musically: Historical and Hermeneutical Essays by Richard
Taruskin |
Simon Perry |
73 |
| Georg
Philipp Telemann: Essercissii Musici facsimile with an introduction
by Greta Haenen |
Peter Roennfeldt |
77 |
| John
Field: Nocturnes and Related Pieces edited by Robin Langley
|
Peter Roennfeldt |
78 |
| The
Attentive Listener. Three Centuries of Music Criticism edited
by Harry Haskell |
Derek Stiller |
79 |
| The
Cambridge Companion to Handel edited by Donald Burrows |
David Swale |
80 |
| Verdi's
Middle Period 1849-1859: Source Studies, Analysis, and Performance
Practice edited by Martin Chusid |
David Symons |
83 |
| The
Music of Margaret Sutherland by David Symons |
Peter Tregear |
84 |
| Listening
in Paris: A Cultural History by James H. Johnson |
Paul Watt |
85 |
| Register
of Members' Publications |
|
88 |
| Register
of Australian undergraduate theses in music, 1996 |
|
94 |
| Register
of Australian postgraduate theses in music, 1992-1998 |
|
96 |
| Index
to Musicology Australia 1988-1997 (Volumes XI-XX) |
|
107 |
| The
Musicological Society of Australia |
|
120 |
| Guidelines
for contributors |
|
121 |
| Notice
to Advertisers |
|
122 |
| Musicology
Australia Volume XX, 1997 |
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Page
|
| Editorial |
|
1 |
| Catherine
Ellis (1935-1996) |
Margaret Kartomi |
2 |
| The
Published Works of Catherine Ellis |
compiled by
Robin Ryan |
4 |
| Articles |
Author |
Page |
| Two
Types of Octave Relationships in Central Australian Vocal Music? |
Udo Will |
6 |
| The
Dunhuang Lute-Manuscript transcribed by Coralie Rockwell |
Foreword and
Afterword by Laurence Picken |
15 |