Conference archive

1977–2018

Conferences since 1998:

  • 2018, 6-9 Dec, Perth, No. 41 “Through the Looking Glass” Programme book (PDF)
  • 2017, 8-10 Dec, Auckland, No. 40 “Performing History” (Joint with NZMS). Cf. the resulting edited collection Performing History (Academic Studies Press, 2020).
  • 2016, 30 Nov – 3 Dec, Adelaide, No. 39 “Shifts and Turns: Moving Music, Musicians and Ideas”
  • 2015, 1-4 Oct, Sydney, No. 38 “Musical Dialogues”, No. 38
  • 2014, 29 Nov – 2 Dec, Melbourne, No. 37 “The Charisma of Dissonance” Programme Book (PDF)
  • 2013, 18 – 22 November, Brisbane, No. 36 “Metamorphosis and Music” held jointly with the New Zealand Musicological Society of Australia Programme book (PDF)
  • 2012, 3 December-5 December, Canberra, No. 35 “The Politics of Music”
  • 2011, 30 November-3 December, Perth, No. 34 “Power of Music” held jointly with the Society for Education, Music and Psychology Research International Conference on Music and Emotion
  • 2010, 2-4 December, Dunedin, New Zealand, No. 33, held jointly with the New Zealand Musicological Society Conference Proceedings PDF 9.43MB
  • 2009, 26-28 September, Newcastle, No. 32,
  • 2008, 4-7 December, Melbourne, No. 31,
  • 2007, 22-25 November, Brisbane, No. 30 – Joint Conference with NZMS “Musical Islands”
  • 2006, 27 September-1 October, Armidale, Northern NSW, No. 29
  • 2005, 28 September-1 October, Sydney, No. 28
  • 2004, 12-17 July International Musicological Society/Musicological Society of Australia/International Council for Traditional Music joint conference, Melbourne, No. 27
  • 2003, 27-30 November, Wellington, New Zealand, held jointly with the New Zealand Musicological Society, No. 26
  • 2002, 2-6 November Newcastle, NSW, No. 25
  • 2001, 18-22 April, Melbourne, No. 24
  • 2000, 27-30 April, Sydney, held jointly with the New Zealand Musicological Society, No. 23
  • 1999, 30 June-4 July, Perth, No. 22
  • 1998, 27-29 November, Adelaide, held in conjunction with an International Wagner Symposium, No. 21

  • 1980, 18-22 May “Analogy in musicological method: how social and artistic structures parallel and throw light on musical structures”, No. 3

Study Days

  • 2009, 25 September, Newcastle, ‘Gender and Sexuality’
  • 2004, 20-21 November, Adelaide, ‘Music and Criticism’
  • 2003, 3-5 October, Brisbane, ‘ Performance and Experience’
  • 2001, 22-23 September, Adelaide, ‘The Performer and the Scholar’
  • 2000, 11-12 November, Newcastle, NSW, ‘Only Connect’
  • 1999, 11-12 September, Wagga Wagga, NSW, ‘Conversations About Music Research’

  • 1977, 26-27 February, Berowa Heights, NSW, ‘Medieval Music’

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